Technique: Carbon Fiber Primer
From MAKE Magazine
This project first appeared on the pages of MAKE magazine.
Form, lay up, and cure your own high-performance composites.
- Author: John Wanberg
- Difficulty: Moderate
It seems as though nearly everything “high performance” these days boasts some amount of carbon fiber in its construction. Originally used in aerospace, carbon fiber has moved into the mainstream and can be found in luxury automobiles, mountain bikes, and sports equipment.
Some laptops and cellphones even use printed decals to simulate this lightweight material’s cutting-edge look. The good news is that you don’t need a state-of-the-art manufacturing facility to work with carbon fiber composites. In fact, you can do it at home.
This article discusses some of the basics of carbon fiber construction and explains how to create a carbon fiber iPod case. All you need are some basic woodworking tools and skills, and the right materials. And because the same process also applies to fiberglass and Kevlar composites, these skills give you multiple ways of boosting your future projects to a new level!
It should be noted that the techniques demonstrated in this project are simplified so that the average hobbyist can perform them at home. However, I've published a book on composites (Composite Materials--Fabrication Handbook #1) that introduces beginners to some additional basic techniques, along with another book (Composite Materials--Fabrication Handbook #2) that covers more advanced techniques for those who wish to become more proficient in composites construction so they can feel empowered to use these novel materials in whatever project that may come to mind.
Understanding Carbon Fiber
Composites are created from two or more dissimilar materials that act together as one. While concrete and plywood are technically composites, the term composite in industry has come to refer to reinforcement fibers held together in a resin matrix and formed in a mold. Carbon fiber is one of several textiles used in this class of materials. When joined together through a procedure called a layup, the fiber and the resin form a material with properties that exceed those of either constituent material.
As a rule of thumb, composites offer their greatest strength in the direction the fibers run — similar to how wood is strongest along the grain. Because of this, you can “tune” a composite’s strength characteristics by controlling and combining the directions of the fibers. If you want strength over the length of a part, simply align the fibers lengthwise. Likewise, if you’re making a tube that needs torsional (twisting) strength, it’s best to arrange the fibers helically, like springs, weaving them together with opposite rotations.
The bulleted section below describes the three most common forms of manufactured fibers: woven, unidirectional, and filament. Each general type can be produced from carbon, fiberglass, aramid (Kevlar), boron, basalt, and several other materials, which are chosen according to their particular physical properties.
- Woven (aka "cloth")
- Comes in rolls and resembles the thick nylon fabric used in trampolines. Weave styles vary according to the fibers’ directional alignment, drape (how well the cloth conforms to mold surfaces), and wet-out (how easily the fibers can be infiltrated by resin).
- Unidirectional
- Comes in rolls and resembles a very fine, wide paintbrush. Composed of parallel fibers that are intermittently joined over their width by thin resin-coated fibers that keep the strands aligned into an easily usable form.
- Filament (aka "roving" or "tow")
- Comes on reels as continuous strands of fibers, loosely gathered into a thread. It can be easily unwound and placed wherever necessary in a layup.
Resin is available in hundreds of different types, each with its own chemical and physical characteristics
You can also buy pre-preg fiber, which already has the resin mixed in. Pre-preg is easier and less messy to use, and it doesn’t waste resin, but it’s also more expensive, is more difficult to obtain, has a limited shelf life, and comes in limited resin types. Most pre-preg comes shipped cold and must be used immediately, or can be frozen (to retard curing) but must be used soon. Another type, elevated-temperature cure pre-preg, ships normally and is cured in an oven or autoclave. Molding a composite using pre-preg is known as a form of dry layup, while starting with separate fiber and resin is called wet layup.
When constructing high-performance composites, designers attempt to do several things at once: orient the fibers for highest strength, inhibit delamination (the peeling apart of fibers), and ensure dimensional accuracy. In addition, they try to minimize voids and bubbles in the composite, which weaken the structure, and keep the resin-to-fiber ratio down to somewhere between 50/50 and 40/60, which is the optimal range for strength and lightness. Many automotive enthusiasts who purchase carbon fiber hoods for their cars complain that they often weigh more than the original steel. This arises from too much resin, either in a thick, glossy top coating called a flood coat, or in a generally poor layup.
Sections
- Making the case.
- Prepare the mandrel.
- Make the belt clip.
- Lay up the composite.
- Finish the case.
- Finish the belt clip.
Tools
- C-clamps and vise (2)
- Calipers
- Dremel, with rotary file or cut-off bit
- Drill press or drill and drill bits
- Hammer
- Hex/ Allen wrench to fit button-head socket cap screw for belt clip
- Marker
- Metal file
- Pliers

- Router, with ¼" round-over bit
- Ruler
- Sandpaper
- Scissors
- Screwdriver, flat blade
- Sheet metal snips
- Table saw or bandsaw
Relevant parts
- Carbon fiber "sleeve" material, 1½" diameter, at least 2' length but it's good to have more on hand, just in case http://sollercomposites.com
Relevant parts (continued)
- Two-part epoxy, slow cure, high-strength from a hardware or hobby store
- Scrap piece of medium-density fiberboard (MDF), ½" thick about 6" square
- Masking tape
- Packing tape, clear
- Polyethylene sheeting, 3-5 mil (75-125 micrometers) thick
- Lacquer spray paint, clear
- Rubber band
- Modeling clay, button-sized amount
- Petroleum jelly
- Latex or nitrile gloves and face mask
- T-nuts (2), #6-32 threaded (for belt clip), from hardware store, or try http://mcmaster.com or http://smallparts.com
- Cap screws (2), ¼" hex buttonhead socket (for belt clip), from hardware store, or try http://mcmaster.com or http://smallparts.com
- Set screws (2), ½" slotted (for belt clip), from hardware store, or try http://mcmaster.com or http://smallparts.com
- Strip of stainless steel, 12"×1"×.028" from hobby or hardware store, or http://mcmaster.com part #8457K49. You only need 3", but 12" is a typical length.
- View:
- Paginated
- Full width

Edit Step 1
— Making the case.
¶
We’re going to create our own composite iPod cover using wet layup, and compression-mold it by using C-clamps. This relatively low-tech method proves successful for making flat shapes out of sheets of material. For shallow rounded forms, you can compress the shapes under plastic bags filled with sand, clamped between wooden boards. Since the iPod has a simple rectangular shape, we can create a nicely consolidated, smooth-surfaced shell by using an internal mold (or mandrel) with blocks clamped on its large sides.
Although this demonstration explains how to make a case for an iPod mini, you can use this same method to make a hard, lightweight case for practically any device that has a uniform cross-section over its length.
These instructions include a metal belt clip for the case. If you don’t want the clip, just skip the steps that involve the screws, the T-nuts, and the metal strip.

Edit Step 2
— Prepare the mandrel.
¶
Use calipers to take close measurements of the iPod and determine the mandrel size. To guarantee a snug (but not too tight) fit for the iPod, the mandrel’s width and thickness should measure .02" to .04" more than the iPod’s actual dimensions. The iPod mini is only slightly over ½" thick, so you can form a mandrel easily using a ½" thick piece of medium-density fiberboard (MDF) that has been bulked up with tape to the correct dimensions.
If you anticipate taking your iPod in and out of the case frequently, you should line the interior walls of the case with felt or velvet to keep the iPod from getting scratched. In this case, it’s advisable to oversize the mandrel even more to account for the thickness of the lining.
For the mandrel’s height, add 1" to the height of the iPod. This translates to a total height of 4.75", which will allow enough extra carbon fiber material for clean trimming of the final part.

Edit Step 3 ¶
Cut the mandrel to size, making sure that it’s very straight along its length, so it will slide out of the hardened composite after curing. You can ensure a straight edge by cutting the MDF using a fence on either a table saw or band saw.
Then use a router with a ¼" round-over bit to replicate the fillets (rounded edges) along the sides of the iPod.
In order to form the bottom of the case cleanly, the mandrel needs to have a slight flange for the carbon fibers to wrap around. Create this flange by marking its location 1" from the bottom of the mandrel, then cutting a 1/8" deep groove around the mandrel with a band saw. Trim off the excess on the flange with the band saw by using a block to hold it squarely in place.

Edit Step 4 ¶
Wrap tape over the mandrel if necessary, to build it up to the desired dimensions.
Be careful to keep out any wrinkles or bubbles.
Create a removable sheath for the mandrel by wrapping it with either polyethylene sheeting taped to itself, or with clear packing tape. I created a tight, removable sheathing by wrapping the packing tape around the mandrel sticky side up, and then wrapping it again sticky side down.

Edit Step 6
— Make the belt clip.
¶
If you’re adding the belt clip to your case, mark and drill two 1/8" diameter holes on one of the clamping blocks, in the location and spacing that you want for the clip’s screw mounts.
Mark and drill holes in the mandrel at locations that match the ones drilled in the clamping block. These are pilot holes for the set screws that hold the T-nuts during layup and cure, so make them slightly smaller than the screws’ diameter.
Tighten the set screws into the mandrel so they are exposed at least ¼" above the surface.

Edit Step 7 ¶
Apply a very thin coating of petroleum jelly to the set screws to keep the resin from locking them in place during curing.
Use pliers to flatten the spikes found on the T-nuts. The slightly jagged nubs that are left will grab into the composite later and help keep the T-nuts from rotating when you insert the screws.

Edit Step 8
— Lay up the composite.
¶
Cut 2 equal lengths of the carbon sleeve, long enough to allow a little extra material to hang over each end of the mandrel.
Carefully slide one length of sleeving over the mandrel, and wiggle the fibers around the set screws so that they lay flat against the mandrel with the screws poking through. Screw the T-nuts onto the set screws and pack a small amount of modeling clay into the top of each to prevent resin from filling in the hole.
Mix up the epoxy according to the manufacturer’s directions. Wearing latex or nitrile gloves, apply it generously to the sleeve, working it between the fibers with your fingers to ensure total wet-out.
Page 1 of 2

If you want a more complex shape for a one-off part, you can always use blue foam. We use it a lot for building small (~200lb) aircraft fuselages. Once the CF is cured, immerse the product in acetone (available at Home Depot) and watch as the foam melts away.